Welcome to the introduction of "Poetic Works." Quite
simply, we invite the interested reader to linger upon "The Odyssey of Heart"
both as an original work of the sites Author and as an example of the theme and
tenor of poetics we wish to encourage from members who may submit contributions for this
section. The interested contributor to Poetic Works may also consult the "Site
Participation" introduction for further insight into the quality and discipline of
our poetic traditions we wish to encourage here. "The Paradigm Shift" and
"Perception" diagram and "Phoenix" of our "Religious
Traditions" are original drawings of the sites Author and serve as icons and
trademarks of Being Quest.
The Odyssey is 64 pages long and the poems are sequential, reflecting a sweeping
development of the soul as it is challenged to pursue its greatest ideals in the face of a
world bent on conformity and intellectual abuse.
The work is essentially dramatic and is tuned to the ear for recitation. The poems are
capable of standing alone by force of their emotional, aesthetic, and intellectual appeal,
though together they represent an evolution as "passing one into each toward that
they tend" (p. 42 sonnet). In this spirit, the work is careful to express the high
drama of experience for the poet as well as literary excellence while actually wrestling
with the selfish delusions of a materialistic civilization. The goal of the work is to
accomplish a sympathetic unity of ambition, personal understanding, and sense for social
justice in the character of the poet.
The Odyssey employs several Voices to accomplish the sense of existential struggle,
which answer to the cry of the poet and alternate the poems in terms of delivery and form.
With careful attention to the relationship between poetic form and meaning, The Odyssey
actually pursues a certain inherent dynamism that would impress the careful reader with
the actual experience of the poet, emotionally and intellectually, as the poet works
through the tribulation, insights, and aspirations of the Heart.
The Voice scheme of The Odyssey is as follows.
Poet begins, followed by the spirit to whom the poet is directing awareness, e.g.,
"Blessed meekness, heart of saints and ever true to faithfulness of hope!"
Certain stirrings then arise in the poet as a 'still small voice' and relative calm before
the storm. Then, beginning on page 9, the poet offers certain confessions in a series of
three sonnets, followed eagerly by the Demonic voice that chides the poet for his
endurance: "You will not live to slay their sacred cows; though it be sin, prostrate
I bid you bow!" (p.12 sonnet). The Demonic voice continues in its own right from page
13 to 28, reflecting the tyranny of the worlds systems of thought and privilege when
on page 27 the Demonic voice begins to merge in synthesis with the poet to arrive at a
better promise.
This synthesis is complete on page 33 where the poet begins another climb with one
sonnet, afterward reflecting upon the demolition of misplaced confidence to, at last,
encounter the Sacred voice: "This work, sublime in truth revealing trials, enlightens
your way, O sojourn heart
" (p. 40 sonnet). The Sacred voice continues with a
sonnet series from page 40 to 50 where there occurs a fairly sudden and exultant insight
by the poet, affecting a kind of theophany. The poet closes out the series with three
sonnets then sings three related songs, reflecting then again upon the work of The Odyssey
in the verse with which it began. The breakdown of The Odyssey along these lines is
conveniently indicated in the html. file containing the work.
It is the hope of this section of Poetic Works at Being Quest to encourage the more
disciplined, literary traditions in this genre with an eye for the best affections in the
heart of us all. The careful reader of The Odyssey of Heart will notice that there is
place for the apparently sinister disposition in our experience, though always preceded
and followed by certain corrections in light of our kindest aspirations. Our poetic works
here will be primarily oriented to the evolution of our personality and the maturing of
the best ideals of character in our traditions, always conscious of the goal of literary
excellence and beauty which makes this genre so appealing. Shortcomings in this respect
are always too evident, always expected in some measure, so we counsel a spirit of grace
in the reader and hope for a continued discipline in those members who may wish to submit
their own poetic works as a contribution to Being Quest.